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Bobby Hammack
Bobby Hammack ''(né'' Robert Vernor Hammack, Jr.; 22 January 1922 Brookston, Texas – 28 March 1990 Riverside, California) was an American musician, originally from Texas, whose principal instrument was jazz piano. He led a prolific career in Los Angeles as a pianist, organist, conductor, arranger, and composer in (i) live venues, (ii) broadcast studios for radio and television, and (iii) recording studios for records, radio, television, and film.〔''The ASCAP Biographical Dictionary; Third edition,'' American Society of Composers, Authors and Publishers, New York (1966), pg. 305 〕〔''ASCAP Biographical Dictionary; Fourth edition,'' compiled for the American Society of Composers, Authors and Publishers by Jaques Cattell Press, R.R. Bowker, New York (1980) 〕〔''The Heritage Encyclopedia of Band Music, Composers and their music,'' three volumes, by William H. Rehrig (born 1939), Integrity Press, Westerville, Ohio (1991–1996) 〕 Hammack flourished in a wide spectrum of genres that included dixieland, Blues, swing, sweet dance music ''(e.g.'', Lawrence Welk), easy listening, gospel, liturgical jazz, musical theatre, Tin Pan Alley, classical, and film score.〔Jérémie Noyer, ''Entretiens avec un empire, rencontres avec les artistes Disney: Volume 3, Disneyland Paris raconté par ses créateurs. Vol. 3,'' Harmattan, Paris (2012) 〕
== Career ==
In 1949, Hammack began appearing KLAC-TV as studio band pianist and, in 1950, guest host — ''Don Otis Show'' — and eventually host — ''Bobby Hammack and Joy Lane.'' Hammack was the West Coast musical director of the ABC-TV and radio networks between 1958 and 1963, during which he conducted his own orchestra and scored music for several TV shows, including Ed Sullivan, Glen Campbell, Red Skelton, and Johnny Mann's ''Stand-Up and Cheer''.〔''(Lexicon/Light Composers and Artists, )'' Billboard Magazine, October 14, 1972, pg W-9〕 Hammack then was a conductor and a pianist for NBC. He joined ASCAP in 1958. Hammack's popular song compositions include ''I'm Going Home'', ''Eliza'', and ''You Bug Me''.
Hammack got his first break playing piano for Red Nichols as one of his post-war Five Pennies, appearing with Nichols in a number of film shorts in the early 1950s. Hammack also worked as a freelance arranger and writer for Bob Crosby, Lawrence Welk, and Tony Osborne. His version of Raymond Scott's ''Powerhouse'' is featured on several space age pop compilations, and he also recorded with Esquivel.
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